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The bleeding's not much. Guillame barely notices it, really. He's sitting clutching his head for a moment. The pain and the panic and the taste of tears and vomit and the fact that he's weak and worthless all contribute to his feeling wretched, but not as much as that mind.
It's not the worst thing he's ever had in his mind. Not at all.
But knowing that doesn't really make the harsh echoes much easier to deal with. It isn't as if he wants to divert his focus to the memory of the worse ones.
He's not in the best position to handle strangers right now, so he's staying away from people, keeping his powers clamped down....giving the echoes an environment of horrible, eerie silence to fester in. If he tried to explain it, he might say something about the sound of claws etching into polished stone, after a fashion, and the sound of rushing blood.
But he doesn't want to explain it. He wants it gone. He wants to hear something happy, from someone healthy. The right sort of person, whom he can just listen to wholeheartedly.
All he wants is a good, trusted.....clean mind to drown it all out. And Guillame's standards are selective, so the possibilities are few. He tries to pull himself together enough to get to one.
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I'm afraid of upload sites. I'm just not good with them. But I was interested in joining the playlist fun some people are having, so: Most of it's reasonably self-evident regarding heavily modified religious fanaticism, perfectionism, and some....adoration issues. It starts off with bits from his IC favorites: Mozart's Requiem, Handel's Messiah, and Bon Jovi's Slippery When Wet, wait, sorry, this isn't Bill and Ted Bach's Cello Suite No.1 . But the latter half is a little less within his personal approval. Mozart's 'Dies IraeHandel's 'And he shall purify' Bach's 'Prelude'. George Harrison's 'My Sweet Lord' The Raconteur's 'Broken Boy Soldier' ['Child and man, and child again'] TMBG's 'She's an Angel' [Because there had to be one about angels] The Killers 'Can You Read My Mind' Stephen Sondheim's 'Being Alive' [No, really, go ahead; let him be used. Just don't leave him alone] Jonatha Brooks's 'I'll Try' [For several reasons]
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